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  • Live Broadcast
  • Product Launch
  • Event Production

A 9-Hour Launch Event Livestream That Reached 50,000 Viewers

Caffeine had one day to launch itself to the world. EVERYWOW turned that day into a live broadcast.

At a Glance

Caffeine launched over a single full day in San Francisco, streamed live on YouTube and X at the same time. EVERYWOW produced the whole day as a broadcast in its own right: a program with its own moderation, interviews, and live cut-ins between the moments on stage.

50,000

live viewers

9h

of continuous live broadcast

11

cameras

5TB

of footage in a single day

Caffeine

An AI platform that builds and deploys apps from plain language

Audience

Developers, builders, and press worldwide


The Challenge They Came With

Caffeine had one day to launch, and most of the people it wanted to reach would never be in the room. The livestream had to find them on the platforms they were already on, and hold them across a full day.

  • The launch streamed live on YouTube and X at once, to an audience that could leave with a single click.
  • A single locked camera on a stage does not hold tens of thousands of people for nine hours.
  • The day ran across two floors, the main stage and a separate hackathon, and the broadcast had to move between them.
  • The schedule had long gaps with nothing on stage, and the stream still had to stay live and worth watching.
  • Everything was live, with no second take.
An interview taking place at an event with a man speaking to an interviewer holding a microphone, illuminated by colorful lights with the word 'caffeine' in the background.

Target Group

The livestream had to reach the people who decide what they build on, wherever they were watching from.

  • Web3 and AI developers
  • Technical founders and builders
  • The wider Internet community
  • Technology and startup press
  • Anyone evaluating Caffeine to build on
  • A global audience, watching live from anywhere

A man speaking into a microphone is displayed on a monitor, with a blurred background featuring lights and audience members at an event.

Who’s on Camera

On stage, Caffeine’s founder demonstrated the platform live, building working applications from plain-language prompts in front of the room. Off stage, a roving crew moved through the venue: interviews, reactions, and moderation, filmed among the crowd.

The interviews happened out where the launch was happening. People were pulled aside in a loud, packed venue, surrounded by the day as it unfolded. That is harder than a studio and it looks far better, so EVERYWOW’s roving crew coached each person on the spot and kept it quick and natural. What lands on screen is the launch as it happened, with the people who were in it.


How It Ran

EVERYWOW designed and ran the entire broadcast. Caffeine ran their launch. The client focused on the stage and the announcements; everything that turned the day into a broadcast was ours.

What Caffeine Does

  • Run the launch: the stage program, the live demos, the announcements
  • Host the show
  • Bring the people for the interviews

What EVERYWOW Does

  • The full-day broadcast concept and run-of-show
  • A two-day build and a full technical rehearsal on site
  • 11 cameras, plus wireless roving cameras across two floors
  • Special lenses to shoot the on-stage LED walls clean
  • Live moderation, interviews, voice pops, and replays between stage segments
  • Live direction and vision mixing across nine hours
  • Editing the stage recordings into finished, ready-to-publish videos

Before the Day

Production Concept

We plan the full day as a broadcast in its own right, before anyone goes live.

The Run-of-Show

The whole day mapped out as a broadcast, so every minute has a plan.

Two Crews

One crew locked on the stage, one roving the venue with two wireless cameras.

Build & Rehearse

Two days on site building the setup and testing every camera and wireless link before going live.

The Live Day

Recording & Production

11 cameras and two crews, cut live into one continuous broadcast.

Two Floors, One Feed

The main stage and the hackathon a floor away, cut live into a single broadcast, every camera connected wirelessly across both.

A speaker presenting on stage at a technology event, with visuals projected behind them and a live audience in the background. Control equipment is visible in the foreground, displaying a timer and other technical details.

Roving the Venue

Interviews, reactions, and voice pops among the crowd, plus a wireless roving camera on the stage itself, for the shots a locked camera can’t get.

Shooting the LED Walls

Special lenses so the big on-stage screens read clean on camera, instead of flickering or breaking up.

Filling the Gaps

Between stage segments: moderation, interviews, and replays of the big announcements, so the stream never goes quiet.

After

Asset Delivery

The stream ends, but the day doesn’t disappear with it. We edit it down afterwards.

What Caffeine Keeps

From 5TB of footage captured on the day, cut down into finished assets.

  • The full nine-hour live broadcast
  • The stage talks, cut into standalone videos

On Set


The Hard Part

Everything was live, and it ran for nine hours. The founder built working applications on stage from prompts, on a live feed to 50,000 people, the kind of demo that cannot be edited if it wavers.

Most of the day was planned in detail, then called in real time: a full day of live television, held together as it happened.

  • Wireless cameras holding signal across two floors, all day
  • Special lenses keeping the on-stage LED walls clean
  • 5TB of footage moving through in a single day

What Came Out of It

50,000 people watched the Caffeine launch live across YouTube and X, and the day reached far past the 1,000 people in the room.

The reach mattered because of who was watching: developers and builders seeing the platform work live, on stage, in the moment. Seeing it work is what earns a technical audience’s trust.

And the day didn’t end when the stream did. EVERYWOW cut the stage talks into finished videos, so the launch keeps working long after the live moment passed.

Two speakers on stage engaged in conversation with a microphone in front of a brightly lit backdrop displaying text related to writing and the internet.

In Their Words

100+ Videos For DFINITY

Β«I don’t want to stop working with you. I want to go on forever.Β»

Maurice Messinger, Creative Director, DFINITY

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